Janice Vidal (Wei Lan) - Sam Luen Yue Ma (Confused and Disturbed)

Yan choh man jeuk nei seung hing hoh, nei keuk hoi chi soh yuen ngoh.
Ga si nei sig ok dak hip noh, nei wooi bat wooi kui juet ngoh.
Nei yau yi yuk hui jaau ngoh, nei wooi tung din joi wooi gwoh.
Yue sat joi ying jan hei foon ngoh, waak si yau sam foo hin ngoh, yue gam ji yau saam sui do ching choh.

* Si nei bat seung ngoh la, sam ji bat jaau ngoh la.
Mo fei gei tin bin fa, jau jeung gwaat ngoh gei chin ba.
Naan do nei gung ngoh chan man po yung ji hau ging yau pin cha.
Bat seung who ngoh ho, cheng kau jik suet jan wa.*

Han seung nei si oi dak laan doh, ji wooi doh tin bat lei ngoh.
Sam ging jing juk miu jung dit doh, ngoh nay at yeung yau jo choh.
Gwoh hui nei gik oi sik ngoh, faai wai ji hau mo yuk ngoh.
Chang ji man ji si hoi sam gwoh, ji man ji bei dam sam gwoh, yue gam dik ngoh ji yiu ji ching choh.

Repeat *

Moot yau dam sik chin nei, sam kuen yue ma, wooi hui ba, wooi hui ba, loi yeung ngoh seung hau git ba.
Si nei bat seung ngoh ma, si nei bat jaau ngoh ma.
Mo fei gei tin bin fa, jau jeung gwaat ngoh gei chin ba.
Naan do nei gung ngoh chan man po yung ji hau ging yau pin cha.
Bat seung who ngoh ho, bat yue jik suet jan wa.

2009 Gathering SMK SS17 Subang Jaya Year 2001 graduates

Welcome guests: SMK SS17 S.J. Year 2001 graduates.

Host: SMK SS17 S.J. Year 2001 Class 5SK4

Date: 7th March 2009 (Saturday)

Time: 7.00pm - 11.00pm

Venue: Old Taste Cafe

Address: 2, 2-1 & 2-2, Jalan SS15/4B, 47500 Subang Jaya, Selangor Darul Ehsan, Malaysia.

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Message:

SMK SS17 Subang Jaya, year 2001 graduates can enjoy additional 10% discount on all food and drink at Old Taste Café on the 7th of March 2009 gathering.

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Samsons - Kenangan Terindah

Aku yang lemah tanpamu,
Aku yang rentan karena,
Cinta yang telah hilang,
Darimu yang mampu menyanjungku.

Selama mata terbuka,
Sampai jantung tak berdetak,
Selama itu pun aku mampu,
Untuk mengenangmu.

Darimu kutemukan hidupku,
Bagiku kaulah cinta sejati.

#1
Bila yang tertulis untukku,
Adalah yang terbaik untukmu,
Kan kujadikan kau,
Kenangan yang terindah dalam hidupku,
Namun takkan mudah bagiku,
Meninggalkan jejak hidupku,
Yang telah terukir abadi,
Sebagai kenangan yang terindah.

Repeat #1, #1

Peter Pan - Mungkin Nanti

Saatnya ku berkata, mungkin yang terakhir kalinya,
Sudahlah lepaskan semua, kuyakin inilah waktunya,
Mungkin saja kau bukan yang dulu lagi,
Mungkin saja rasa itu telah pergi.

#1
Dan mungkin bila nanti kita kan bertemu lagi,
Satu pintaku jangan kau coba tanyakan kembali,
Rasa yang kutinggal mati,
Seperti hari kemarin saat semua disini.

Dan bila hatimu termenung, bangun dari mimpi-mimpimu,
Membuka hatimu yang dulu, cerita saat bersamaku,
Mungkin saja kau bukan yang dulu lagi,
Mungkin saja rasa itu telah pergi.

Repeat #1, #1

Tak usah kau tanyakan lagi simpan untukmu sendiri,
Semua sesal yang kau cari semua rasa yang kau beri.

Utada Hikaru - First Love

Saigo no kisu wa, tabako no flavor ga shita,
Nigakute setsunai kaori.

Ashita no imagoro niwa,
Anata wa doki ni irun darou, dare wo omotterun darou.

You are always gonna be my love,
Itsuka dareka to mata koi ni ochitemo,
I'll remember to love,
You taught me how,
You are always gonna be the one,
Ima wa mada kanashii love song,
Atarashii uta utaeru made.

Tachidomaru jikan ga,
Ugokidasou to shiteru,
Wasuretakunai koto bakari.

Ashita no imagoro niwa,
Watashi wa kitto naiteru, anata wo omotterun darou.

You will always be inside my heart,
Itsumo anata dake no basho ga aru kara,
I hope that I have a place in your heart too,
Now and forever you are still the one,
Ima wa mada kanashii love song,
Atarashii uta utaeru made.

You are always gonna be my love,
Itsuka dareka to mata koi ni ochitemo,
I'll remember to love,
You taught me how,
You are always gonna be the one,
Mada kanashii love song, Now and forever.

Le Couple - Hidamari No Uta

aenakunatte,
dore kurai tatsu no deshoo,
dashita tegami mo, kesa POSUTO ni mai modotta,
madohen ni yureru, me wo samashita wakaba no yoo ni,
nagai fuyu wo koe, ima goro kizuku nante,
donna ni kotoba ni shite mo tarinai kurai.

#1
anata aishite kureta,
subete tsutsunde kureta,
marude hidamari deshita.

na no hana moeru, futari saigo no FUOTOGURAFU,
okuru kara ne to yakusoku hatasenai keredo,
moshimo ima nara,
yasashisa mo hitamukisa mo,
ryoo te ni tabanete, todokerareta no ni,
sorezore betsubetsu no hito suki ni natte mo,
anata nokoshite kureta, subete wasurenaide,
dareka wo aiseru yoo ni,
hiroi sora no shita, nidoto aenakute mo ikite yuku no,
konna watashi no koto kokoro kara,

Repeat #1

anata aishite kureta,
subete tsutsunde kureta,
sore wa hidamari deshita.

How to clean up your house

It’s the season to spring-clean your house, for the Chinese New Year.

Get rid of clutter first. Why clean something, or clean around something, that will only be thrown out sooner rather that later?

Clean from top to bottom. Don’t get your floor all nice and shiny only to realize that your ceiling fan hasn’t been dusted yet, and all that dirt is going to end up back on the floor.

If your place is generally quite clean, a light dusting and some sweeping should suffice.

If you have months of grime to get through with soap and detergent, dust well before wet-wiping or rinsing, to avoid smearing black and grey stains and dripping filthy water everywhere.

If you must leave things very late, just clean the parts of the home that guests will see, like your living room and bathroom.

Heave all the rest of the junk into your own storeroom or bedroom.

Don’t forget the exterior, spruce up your front door, grille gate and walls wit a good wash or even a new coat of paint.

If you have a garden, trim and tidy it.

Give the driveway a scrub too.

Bibliography:
Ong, Adele. “How to clean up your house.” The Star Metro Classifieds. [Malaysia] 13th January 2009. Page#01.

Badminton

Badminton is a racquet sport played by either two opposing players (singles) or two opposing pairs (doubles), who take positions on opposite halves of a rectangular court that is divided by a net. Players score points by striking a shuttlecock with their racquet so that it passes over the net and lands in their opponents' half of the court. A rally ends once the shuttlecock has struck the ground, and the shuttlecock may only be struck once by each side before it passes over the net.

The shuttlecock or shuttle is a feathered projectile whose unique aerodynamic properties cause it to fly differently from the balls used in most racquet sports; in particular, the feathers create much higher drag, causing the shuttlecock to decelerate more rapidly than a ball. Shuttlecocks have a much higher top speed, when compared to other racquet sports. Because shuttlecock flight is affected by wind, competitive badminton is best played indoors. Badminton is also played outdoors as a casual recreational activity, often as a garden or beach game.

Badminton is one of my childhood activities. When I was in primary school, I always play badminton with my brothers, cousins, neighbor, classmate and friends. When come to secondary school, I seldom play badminton, because other than badminton, there are many other sport activities, such as, netball, volleyball, bowling and etc. When come to college life, i totally didn’t touch my badminton racquet at all. Recently, I touched my badminton racquet, my friends and I planned to play badminton once a week. The purposes of playing badminton are for fitness, keep-fit and as an activity game.

Indoor Badminton Courts:
1. Ritz at Jaya Square SS 17 Subang Jaya
2. 3K Sports Complex at SS 13 Subang Jaya

Innuendo - Belayan Jiwa

Seindah tiada lagi kau ku ingatkan,
Sayang kau hilang,
Menanti biar sampai akhir hayat ku di dunia ini.

#1
Kau tahu bertapa ku sayang padamu,
Hanya bidadari sebagai ganti,
Hanya takdir menentukan ia,
Oh belaian jiwa.

Oh angin, sampaikan lagu ku padanya,
Yang sedih pilu,
Terimalah lagu ku jadi teman hidup mu,
Untuk selamanya.

Repeat #1, #1

Sayang padamu,
Hanya bidadari sebagai ganti,
Hanya takdir menentukan ia,
Oh belaian,
Oh belaian jiwa.

Samba

Samba is a lively, rhythmical dance of Brazilian origin in 2/4 time danced under the Samba music. However, there are three steps to every bar, making the Samba feel like a 3/4 timed dance.

The Samba music rhythm has been danced in Brazil since its inception in the late 19th century. There is actually a set of dances, rather than a single dance, that define the Samba dancing scene in Brazil; thus, no one dance can be claimed with certainty as the "original" Samba style. Another major stream of the Samba dance besides the Brazilian Samba dancing styles is Ballroom Samba which differs significantly.

Samba no pé is a solo dance that is most often danced impromptu when samba music is played. The basic movement involves a straight body and a bending of one knee at a time. The feet move very slightly - only a few inches at a time. The rhythm is 2/4, with 3 steps per measure. It can be thought of as a step-ball-change. It can be described calling it and-a-one, and-a-two, then back to one. The basic movement is the same to either side, where one foot moves to the outside lifting up just before the first beat, lifting on the "and-a" and replacing itself on the floor on the one beat (i.e. the right leg moves slightly to the right) and this leg is kept straight. The other foot moves slightly towards the front, and closer to the first foot. The second leg bends slightly at the knee so that the left side of the hip lowers and the right side appears to move higher. The weight is shifted to this inside foot briefly for the next "and-a", then shifted back to the outside foot on the "two", and the same series of actions is repeated towards the other side.

The dance simply follows the beat of the music and can go from average pace to very fast. Men dance with the whole foot on the ground while women, often wearing heels, dance just on the balls of the foot. Professionals may change the steps slightly, taking 4 steps per measure instead of 3, and often add various arm movements depending on the mood of the music.

Jacky Cheung - Wo Zhen De Shou Shang Le

Chuang wai yin tian le,
Yin yue di sheng le,
Wo de xin kai shi xiang ni le.

Deng guang ye an le,
Yin yue di sheng le,
Kou zhong de mian hua tang ye rong hua le.

Chuang wai yin tian le,
Ren shi wu liao le,
Wo de xin kai shi xiang ni le.

#1
Dian hua xiang qi le,
Ni yao shuo hua le,
Hai yi wei ni xin li dui wo you xiang nian le,
Zen ma ni sheng yin bian de leng dan le,
Shi ni bian le,
Shi ni bian le.

#2
Deng guang xi mie le,
Yin yue jing zhi le,
Di xia de yan lei yi ting bu zhu le,
Tian xia qi yu le,
Ren shi bu kuai yue,
Wo de xin zhen de shou shang le.

Repeat #1, #2

Wo de xin zhen de shou shang le.

Rossa - Pudar

Kurasakan pudar dalam hatiku
Rasa cinta yang ada untuk dirimu
Ku lelah dengan semua yang ada
Ingin ku lepas semua

Setan dalam hati ikut bicara
Bagaimana kalau ku selingkuh saja
Ku punya banyak teman lelaki
Sepertinya ku kan bahagia

*(Korus)
Mestinya kau cari pengganti diriku saja
Karena kita sudah tak saling bicara
Pastikan cerita tentang kita yang telah lalu
Hanya ada dalam ingatan hatimu

Maafkan aku jika kau kecewa
Bintangmu bukan lah untuk diriku
Jika memang semua kan jadi cerita
Ku tahu kau semakin terluka

Ulang *(Korus) 1x

Kurasakan pudar dalam hatiku
Rasa cinta yang ada untuk dirimu
Ku lelah dengan semua yang ada
Ingin ku lepas semua

Setan dalam hati ikut bicara
Bagaimana kalau ku selingkuh saja
Ku punya banyak teman lelaki
Sepertinya ku kan bahagia

Cha-Cha (Bronze)

Set 1
Basic cha-cha
Basic chasse
Fan
Change of hip
Alemana
Hand to hand x3
Spot turn

Set 2
Basic chasse
Fan
Change of hip
Hockey stick
Basic chasse
Underarm turn
New York x3
Spot turn

Set 3
Basic chasse
Underarm turn
Open hip twist
Cross body basic
Change of hip
Alemana
Cuban break
Spot turn

Man Bai - Kau Ilham Ku

Beribu bintang dilangit,
Kini menghilang,
Meraba aku dalam kelam,
Rembulan mengambang,
Kini makin suram,
Pudar ilhamku tanpa arah.

Sedetik wajahmu muncul,
Dalam diam,
Ada kerdipan ada sinar,
Itukah bintang atau rembulan,
Terima kasih kuucapkan.

#1
Izinkan ku mencuri bayangan wajahmu,
Izinkan ku mencuri khayalan denganmu,
Maafkanlah oh...
Andai lagu ini,
Mengganggu ruangan hidupmu,
Kau senyumlah oh...
Sekadar memori,
Kita di arena ini,
Kau ilhamku,
Kau ilhamku...

Repeat #1

Salsa

Salsa refers to a mixture of informal dance styles having roots in the Caribbean, especially in Cuba and North America. The dance originated through the mixture of Mambo, Danzon, Guaguanco, Cuban Son, and other typical Cuban dance forms. Salsa is danced to Salsa music. There is a strong African influence in the music as well as the dance. Salsa is a partner dance, although there are recognized solo steps and some forms are danced in groups of couples, with frequent exchanges of partner. Improvisation and social dancing are important elements of Salsa but it appears as a performance dance too.

The basic step typically uses three steps each measure. This pattern might be quick-quick-slow, taking two beats to gradually transfer the weight, or quick-quick-quick allowing a tap or pause. It is conventional in Salsa for the two musical measures to be considered as one, so the count goes from 1 to 8 over two musical bars. The basic movement common across most Salsa styles is to step quick-quick-slow 2 times over two 4-beat measures. Typically the quick steps are on beats one and two, and the slow step is actually a quick on beat three followed by pause or tap on beat four. That is salsa step right-left-right-pause/tap then left-right-left-pause/tap.

For the lady step

Salsa basic step started with both foot stands together

The basic backward step:
Stepping backward with your right foot (1)
Returning your weight to your left foot (2)
Returning your right foot to where it started (3)
Tap or pause in place with your left foot (4)

The basic forward step:
Stepping forward with your left foot (5)
Returning your weight to your right foot (6)
Returning your left foot to where it started (7)
Tap or pause in place with your right foot (8)

WuTravel.com

WuTravel.com is a very useful website, especially for those who searching for hotels. WuTravel.com is a hotel price comparison site, that you can find the best hotels rate. Besides that, you can search and compare 40+ hotel sites and find the best deal. WuTravel.com does not provide hotel booking service. But WuTravel.com only helps you to find the best online rate and brings you to their hotel booking partner site to make the reservation.

Guidelines for Polite & Effective Telephone Usage

It is important that employee or business people demonstrate courteous telephone behavior when taking to clients and other business contacts. Courtesy and thoughtfulness are the basic components of telephone etiquette. The knowledge of etiquette makes telephoning easier because if you creatively obey the rules, you will be confident that you will behave in the most appropriate and productive way. Here are some guidelines for polite and effective telephone usage for you or employee, especially receptionist or secretary.

1. When answering the phone in the office, immediately identify your company, department and your name.

2. When talking to customers, call them by name. By repeating the name, you are more likely to remember it the next time.

3. Know how you sound to others. You can find this out by recording your voice. Then critique your tone, manners, friendliness and vocal quality.

4. Always use the hold button if you must temporarily leave the phone. It is surprising what the person on the line can hear, and you may inadvertently embarrass yourself or the other person.

5. Excuse yourself when leaving the line. A simple one, “One minute, please, Miss J.” Then make sure you reassure the customer every 20 to 30 seconds that you have not forgotten her. If you must do this more than twice, it is probably better to call back when you are able to talk.

6. Listen. Allow your caller to talk and encourage her input. No one likes to be “talked at”. When pauses occur, don’t interrupt until the caller is finished with her thought. Listen for ideas, not just words, and take brief notes to jog your memory later.

7. Keep a notepad and pen near the phone so you can quickly write messages or notes.

8. Screen calls for the caller’s name by asking: “Who’s calling please?” When transferring a call, say, “Thank you Miss S. I’m ringing Miss J now,” or “Thank you Miss S. Miss J is on another line at the moment. Would you prefer to hold for a minute or would you prefer that Miss J return your call?” If Miss J is unavailable, say, “Thank you. Miss S, Miss J is out of the office now and isn’t expected back till 4 o’clock. Miss R may be able to help you, or would you prefer that Miss J return your call?”

9. Let them hang up first. Have you ever concluded a conversation with someone and just as they were hanging up, you thought of one more things to say? To avoid cutting off the caller’s thoughts, let the caller hang up first.

10. When calling long distance, tell the secretary. People give long distance calls a higher priority than local calls. If she or he says, “Do you mind if I put you on hold?” Be careful. Some people are not in the habit of checking back with the caller every 20 to 30 seconds. Your best bet is to tell the secretary that you can only remain on hold a short time.

Bibliography:
1. Article by Dr Tony Alessandra, the author of 13 books, counsultant and keynote speaker.
2. Alessandra, Tony. “It’s Your Call.” The Star Metro Classifieds. [Malaysia] 18th September 2008. Page#01.

Jill Vidal (Wei Si) - Hoh Hoh (Cocoa)

Ta guen jun daai bei woh, ngoh yau dung lat yat goh,
Nei am luen liu san jue boh, je yeung sai gaai yi bat choh,
Goh jung suet moot git gwoh, nang joi je miu woot jeuk bin ho gwoh,
Dak yat saat dik fa foh, mei lai ya yiu hon ching choh.

* Cham mik yue faai bat yiu sam doh, mei siu ji dak yat goh, ying gau nei fung moh. *

# Yan han siu hoh hoh yi cheung cheung goh, kap jui oi dim boh,
Yan ngau yi ya yau kuen mong mong ngoh, maan maan saai lok toh,
Yan han siu hoh hoh yi ye ye foh, gaan gang oi yat goh,
Yan ngau yi yiu fong waai paai paai joh, wai woot jeuk hing hoh,
Chung yit oi sai gaai gwong boh, ha joi do MP4, jan dik faai lok je moh doh. #

Sau toh gwoh yau yue joh, ngaan so yat juk san foh,
Jui hung yat hung je mong gwoh, giu jo oi gwoh yi bat choh,
Goh jung suet moot git gwoh, nang joi je miu woot jeuk bin ho gwoh,
Dak yat saat dik fa foh, mei lai ya yiu hon ching choh.

Repeat * #

Rock and Roll

The basic rhythm is Slow, Slow, Quick, Quick.

Slow (1, 2) - Slow (3, 4) - Quick (5) - Quick (6)

The Slow steps "will be taken first on to the ball of the foot, the heel then lowering.

Lady Step:

1. Right foot tap, and then step at the same place (Slow) - Tap, Step
2. Left foot tap, and then step at the same place (Slow) - Tap, Step
3. Right foot backward with all weight (Quick) - Back
4. Left foot step at the same place (Quick) - Rock

Siti Nurhaliza - Seindah Biasa

Jalan pernah takut ku tinggalkan,
Saat bintang tak mampu lagi berdendang,
Saat malam menjadi terlalu dingin,
Hingga pagi tak seindah biasanya.

#1
Takkan mungkin kita bertahan,
Hidup dalam bersendirian,
Panas terit hujan badai,
Kita lalui bersama.

#2
Saat hilang arah tujuan,
Kau tahu ke mana berjalan,
Meski terang meski gelap,
Kita lalui bersama.

Ku tak bisa menrubah yang telah terjadi,
Tapi aku akan menjanjikan yang terbaik,
Agar kita tak pernah menjadi jadi,
Meski beza dermaga untuk kita berlabuh.

Repeat #1, #2

Pernah kita jatuh,
Mencuba berdiri,
Menahan saki dan menangis,
Tapi erti hidup lebih dari itu,
Dan kita mencuba melawan.

Repeat #1, #1, #2

Kita lalui bersama, kita lalui bersama.